dikso from berlin drop another amazing ep ! after five super sound singles here is diksos very first artist ep and of course it will be daniel solars job to do the kick-off. his retrospect ep features the most zippy stuff dikso has released so far without being an ordinary house record. the percussion is minimalistically filigree, the atmosphere is fluffy and aniyas voice on >can you really know< comes direct from outer space... er... down under. dikso006 a1 - summer, sunshine, a picnic basket full of delicious food and wine and someone to share a walk in the park. sounds cheesy? yes, you are right... but remember that every park has its dark corners. dikso006 a2 - daniel teamed up with aniya ouu, the grand lady of >melbourne deepcast<, a blog from a few down under brothers and sisters in spirit. intercontinental and interblogospheric, interdisciplinary and... (fill in a word of your choice that begins with inter) dikso006 b1 - thee role model of deepslowmonudiscoeditchicagoacidwhateverhouse. after finishing two longplayers earlier this year he spent some time to refine daniels track. the original shines through but everything is a little bit deeper, darker, stronger. its still a walk in the park, but imagine the voices of owls and some undefinable dark shadows instead of wine, women & song. dikso006 b2 - we still have his brilliant ep for permanet vacation in our ears and synapses and now he is here with a stirring remix for prime times and big rooms. the boys from dikso borrowed pional, probably spains best kept secret, from john talabots hivern discs camp who delivers a real monster of a track. john, they have promised to give him back, later... someday... somehow

terranova are hardly a new name on the scene. fetisch, its leader has lived on the international nightlife circuit since punk took over london. remember lcd soundsystems >losing my edge<? well, he was there. and he is still hungry. heralding the new terranova album (out early 2012), this double-headed single has classic written all over it. >i wanna go out< is an acid house anthem of the highest caliber, an ode to nightlife, a possibel mantra for all of us. >take my hand< features khan on vocals and takes you down a darker road. its clanging metallic percussions makes us think of einstuerzende neubauten in bed with herberts radioboy/wishmountain project. its deep, its good and it leaves us craving for more... welcome on board: terranova!

ann aimee goes darker and more minimalistic than before with this debut release by area forty_one. this unknown producer gives us his personal interpretation of modern techno. this double pack contains five solid techno cuts, filled with spacy and robotic sounds, together with one imminent ambient track. discharging clouds gives us tracks, each one containing its unique vibe, and will please anyone with a preference for the dark, sinister techno sound. the mysterious area forty_one is one to keep an eye on

big support van oa. bas mooy, dvs1, perc, tommy four seven, go hiyama, paul mac and many more... just before the summer hits, were breaking it down with a massive techno bomb from the subs of scotland. this time its the mighty forward strategy group which will be responsible for some serious damage on the floor. the squad which delivered some amazing tunes for perc traxx and recently did a podcast for clr recordings are now up for a true banger on dynamic reflection. on this ep they split the force and bring both their own solo actions. smear takes over with >inert<, tweaking his synths into phased edges with a phat groove on top. the >retail & leisure< remix is more subdued and trips away with a smooth acid bassline through the track. on the b-side the other half of fsg. patrick walker smashes down the door with a more darker groove. pounding kickdrums, dark rhythms and smooth soundscapes is whats his recipe is for >phase linear<. this will definitely hit the big rooms!! boex & miller breaking down the beat in their rework, which makes the perfect balance for this ep. all n all a superior release by these gents and remix heavyweights. lets pray for more of this pure quality stuff and keep our eyes on the the future. the scene need more labels like this which reflects the current techno movement and promises loads more of that sweet stuff in days to come... dynamic reflection will represent only the true spirit of pure techno, they will put only the quality stuff back on the dancefloor!

charles widmore and daniel rajkovic seem to get along pretty well, musically. their tendency to the more reduced and slightly darker side of electronic music led to a fertile cooperation that culminated in an imposing 12 inch on rrygular. the three tracks ride wonderfully unagitated and alarmingly progressive along the labels typical minimal techno road...

black waves is 4 tracks of deep, dark club music. since the release of his critically acclaimed album >generation hexed<, drums of death has been obsessively developing a deeper and darker sound that is tailored for the dance-floor. black waves fuses frantic 808 drum patterns and dramatic synth lines with fresh, contemplative melodies. its music born out of its makers passion for techno and house.

jem stones unique take on any genre is always compelling and highly individual. he made an impressive and memorable contribution to the early days of electro swing with the break-beat, dance-floor-filling flavors of his debut release on freshly squeezed, the electric circus ep (2010). now jem returns with a perfectly timed and unexpectedly fresh twist on a sound that has sometimes, in less skilled hands, become formulaic in its swift rise. the perpetual lotion ep raises the bar once again and opens up many new possibilities. this record will change the future direction of electro swing!
here the 1920s and 30s samples arent just backed by a house beat, but given such a distorting twist the whole has become something else entirely. the ep is slower and darker than before with brooding bass and deeper production that adds a vital contemporary edge.

played by tini, ricardo villalobos, audiofly, matthias meyer, jimpster, hosh, till von sein, raresh, federico molinari, shlomi aber, eurokai, kruse & nuernberg, p.toile, reto ardour, patlac and many more. the sun can compare! our summer session - listen and feel! baalsaal is in love with this one . mr. rockford inc. delivers an absolut vocalstunner introducing terry lovique armstrong on the mic. follow him and please stay... a1 please stay (who is 121 remix) an hommage to those old strictly days where sweet vocalism ruled. no cheese, no cream. just a driving basement groover to spread love. a2 midnite soul a perfect warm up jazzmoody example by mr. rockford, that really hits the stompfunkin nail. everglades soundtrack it is what we called it to. i think i saw a dinosaur or is it just a dream. b: please stay ( jay haze rmx ) this one does the warehouse of those days interpretation and has it a little darker and edgier. jay who is such a pleasure to have on board drives it gaga till the grande finale enlighten us double xl. the way jay includes the vocs nearly took it to hazy fantazy land.

the partnership between artists john selway and dave turov spans not only across the atlantic, but it has also resulted in a series of successful colla-borations on their label csm. the debut release on the interpull imprint showcases their signature no-nonsense, dance? oriented techno. expanding on their previous work, >choo got it ep< carries with it a modern take of classic in? uences from chicago, detroit, and berlin. this release is marked by just as much stylistic skill as it is by their technical skill: both selway and turov put the highest production values possible into their releases. the a-side of the ep, >choo got it<, grooves hard with an upbeat rhythm and a bouncing bass line that refuses to let up. combining funky house elements and a raw driving techno pace, this is the kind of track that either gets you on the dancefloor doesnt let you off once you hear it go on. the b-side, >way to my heart<, presents a darker take on the ep with plentiful bass and restless energy. it provides a cavernous sound thats happy to shake your techno cathedral of choice

big with: sven väth, laurent garnier, … the original of marco rhauderwieks >live jam 1< is one part of a lot of sessions he did and this is the first on a vinyl. his sound is deep, powerfull and with a lot of >dubsoul into it. great!the remix was built by youandme and is an ultra dark smashing techno track, exactly the right for the darker floors on this world.

the beginning of a new era. founded in 2005 by thomas wendel aka don williams the beloved seminal imprint with cult status mojuba is facing the next level with the debut album kawasaki by stereociti from tokyo. when in 2005 the first sounds of mojuba were introduced to the world, people quickly realized that there is something very special going on different to the usual house or techno business … it was something more emotional, more personal, somewhat more deeply rooted! stereociti aka ken sumitani is truly one of japans finest when it comes to uncompromising underground dance music with heart & soul, whether it is the realm of deep house music or the darker moods of detroit techno. you can actually feel that his roots go far back into the early days of electronic club music but never lose sight of the history of soul, funk or dub. his debut kawasaki, named after his hometown, is delivering the quintessence of what is considered as the mojuba sound. being capable of such a musical sense, it was no wonder that the other mojuba family members nick solé, sven weisemann and oracy welcomed stereociti very warm. so if you are new to the world of mojuba, please tune in and enjoy the journey! kawasaki is a timeless piece of music, equipped with everything you need for an outstanding album experience. it will take you by the hand from the very first moments and will be there for you second by second, minute by minute, hour by hour, day by day until you let it go

the -makeovers- project is a compilation of some of claudes best re-twists, some of which are so far removed they can almost be considered original works. this special edition vinyl includes one of the most sought after remixes, -warpaint- originally by pocket 808 in australia, vonstroke turned this into a late night anthem in 2007. played by techno djs, dubstep djs, and everyone in between this track was never cut to vinyl until now. on the flip side claude remixed the nublu orchestra out of new york. he was never completely happy with the original version of the remix and hes gone back and re-made it into a very special piece of music including a new vocal sample from his wife aundy who also did the vocal effects in whos afraid of detroit? this collection was put together with the theme that a remix can be an inspiring starting point for an entirely new piece of music. these are two of the deeper and darker remixes but we think you agree they are also very special.

>positivenoise< is collaboration between system 7 and british house music legend a guy called gerald who now lives in berlin, and is one of two tracks on the new system 7 >up< album that they worked on together. the original club mixs exuberant sounds and crisp beats exude an infectious feel-good quality and a bright tech confidence inspired by berlins leaner sounds - already gaining plaudits and plays for its modern club sound. the carl craig remix strips down the original, and twists and turns for the dancefloor with dubby deep techno in carls own legendary style. a.mochis remix is a darker interpretation, with a long dropdown featuring shimmering s7 trademark sounds and a breakbeat build-up.

jin choi is a musician, producer, dj and live artist based in berlin, germany. equally focused on groove and melodic structures, his music fuses electronic and naturalistic sounds to move the head and body. once coined modern minimal, chois productions are equal parts emotion, melody and rhythm. full range is his first release on serialism records. in a recent interview, choi described himself as a burial loving music-nerd who is simply trying to create his own musical language. he has released on lessizmore, contexterrior, romanphoto & archipel, to name a few. for ser10, he joins forces with maceo plex (aka maetrik, the moniker he saves for his darker techno productions) to do just that. most known for his recent revered deep-house single, vibe your love on crosstown, plex makes the release the perfect late-night tool. first up is full range, a dubby tech-house number with ominous and increasingly glitchy repetitive vocals that remind the listener of what choi seems to already know - music is the universal language, music is no longer irrelevant. next, half baked, the eps star, manages to perfectly fuse industrial sounds with melody making a blissed-out, deep- house track. mysterious squeaks, hisses and factorial inner workings provide the backdrop while warm time-stretched freestyle vocals guide us through the production. maceos deep remix is around 9-minutes of chicago house inspired sounds layered with snappy high hats and emotive chords.

for its eighth release theres no other responsible than oliver schories, who did several releases on labels like ostwind records, parquet recordings or musik gewinnt freunde (just to name a few), which attracted a lot of attention! on his organ freeway ep oliver delivers a summer track which immeadiately puts you into good humor, no matter if heard in the morning to get up, in the clubs or especially on every upcoming open air party! just get on his >organ freeway<, theres no speed limit! the b-side is somehow darker and moody, like the title >treibsand< promises youll sink in layers of sounds, directed by the low-tuned piano, perfect addition to >organ freeway<! all together a huge summertune which is going to be released on lovely 10 inch-vinyl!

proper trax makes its debut with this four-track compilation showcasing the labels affinity for gritty, analog house, techno, and acid by letting loose the >split personalities ep<. featuring four of tennessees up-and-coming talents – will azada, the funnel, grey people and lee crowe. the a-side is a lush house and jacking tech-house highlight, while the flip focuses on the darker, driving sounds of techno and acid.

third release on colourful has tobias linden, orange muse wander into somewhat darker territories. title track oyster comes with a rolling groove, techno rides and stabs straight outta d-troit. add to that an infectious guitar loop and sexy vocal chants et voilà - we have a true floor burner for the wee hours. on remix duties we are superstoked to have mr john selway deliver a new york techno nugget, seriously funky with a killer bass line and great atmosphere. finally wed like to introduce an upn coming producer from s.a, lebstar, sharing with us a throbbing afrotech joint with loads of attitude, string hooks and strong percussion. expect more action from this young man in the near colourful future…

the moment the needle drops on bas mooys >krull<, you know you are up for something special: one of those classic tracks that signpost a style, a timeless number that seizes the flavour of the here and now and elevates it somewhere ethereally higher - in this case booty-swinging, infectiously swinging, grinding, building, unhomogenized techno.
in his remix audio injection minimalizes the assault and its reinvented as a soaring detroit acid grumbler. then gayle san & dj hi-shock propel themselves right into the darker depths of the original version and reboot all the right parts to make it a flanged, spacey, at times relentless sci-fi tech stomper.finally ortin cam reconfigures >krull< as slick, motorized electronic dancefloor mayhem remiscent of some of the sativae outings in the early 90s by neil landstrumm and tobias schmidt.limited first press released on solid white colored vinyl.
already played & supported by luke slater, drumcell, sven wittekind, chris liebing, tommy four seven, dave the drummer, space djz, spiros kaloumenos, sasha carassi, axel karakasis, tom hades, audio injection, go hiyama.

unos second release comes from montreals jacques greene. in his north american debut, we bring you two new tracks that reveal a darker, acid housed side of the lauded producer. lay it down unites bass swing with a floor shaking acid line thats known to make rooms dance like autism. new york house standards whatever/whatever give the flip side a jacking make over of 90s proportions. the hard hitting >what are you feelin< (which has been received much uk in the past year, including mary ann hobbs bbc show) finishes off the 12 inch, builds up the grand finale, after which you might find yourself in a puddle of something wet, wondering where greene went.

c series returns to bring more hard groove monsters to your ears! c8 - sombrita : c8 starts off and goes all latino on your ass! smooth sexy vocals flow through the break leading into pounding bass line and groove, floor shaking beats and rattlesnake bongos complete this rework for some latin american booty shaking, c series style! c8 - lowis: another classic rework for this release. the track maintaining some of the original work that makes it instantly recognizable, but then takes on a harder and darker twist by being reinforced with some tough beats and bass made for a heads down, driving groover. a must for tearing off the roof at any party!

oliver hos label wires returns soon with the third installment, >nothing ep< by raudive. this release sees oliver pushing the raudive sound into a darker area featuring industrial influences within the techno grooves. the ep starts off with >shiver<, featuring an organ drone overlaid with bursts of resonance and feedback, with the repeated vocal phrase, >the sun sets inside you<. next comes >>nothing<. a strange wood block sound rides over the heavy groove, with synth stabs and echoing vocal sounds, it is relentless and hypnotic. we continue with >sigil<, the combination of monotone bass and synth stabs with the strange primal moan produce a creepy groove, - gothic techno maybe... finally we have >dial<. the last track finishes the ep off with heavy drones and white noise feedback, bringing to mind the relentless tones of lou reeds metal machine music.

after the brilliant work with tigerlily on the digitaline track >say so<, gregorythme teamed up again with the lovely singer and created another epic masterpiece. >no time no space< has the potencial to become one of this years big anthems, with tigerlilys great voice, the catchy melody and the unbelievable synthline staying in your head for a long time! kalabrese and lee jones both kept the epic feeling of the original. kalabrese added his unique funk and kind of a caribic touch to it. imagine a lonely beach with nothing else to do as watching the stars out there. lee reworked tigerlilys voice, combined it with a massive bass and takes it a step darker into the night, made for dancefloors and big soundsystems!

echocord colour is proud to release the 4th ep by french producer sebastien san. again sebastien delievers 2 amazing floating dubby tracks, with his typical detroit influences. both tracks are perfect for the morning hours or for the warmup djset. sebastien is also known for his releases on labels like planet-e, rush hour and gigolo

heavy duty remix ep (accompanying the first sic! release on meakusma) features reworks by errorsmith, lowlow and quarion. errorsmith remodels orange sky, in his inimitable style, into a bouncing bomb, solely focused on making the dancefloor explode in delirious delight. lowlows version explores the darker side of the track, conjuring up a syncopated nu disco rhythm that sounds claustrophobic and ecstatic at the same time. quarion takes orange sky to the beach and gives it a balearic house feel.

this is third single cut from the debut album of mr raoul k “introducing my world . album was recorded in his hometown africa with local musician and raoul edited and reconstructed at his german studio. a side, >japan japon< is a simple but effective african minimal house stuff and >the green thing< is raouls slow mo house stuff. b side >rainning love< is bit darker and more trancy than usual.

dj and production superduo youandme are back at it again. their first full ep on vinyl did it delivers three great tracks that reflect the duos wide musical range, from the deepness of ghosts, to the darker introspectiveness of nightvision and the dancefloor house of black jack, another youandme must-have record. lim. ed. of 500 units

after the fittingly excellent 30th release from markatonio, analytic trail waste no time in delivering their next release, this time coming from scottish producer hans bouffmyhre. the paisley based artist has graced perc trax, harthouse and jochim speiths affin with his releases in the past and his production continues to garner support from a wide and revered array of djs. someone im not boldly kicks off the ep with a dark but grooved-out edge which will please fans of his previous work for perc trax wintery, late night and uncompromising techno. bermuda tool follows and pushes further into the darker territories of techno with a lazy pace providing counterpoint to a tapestry of moody effects. self punishment ramps up the energy but keeps the sinister, mechanical vibes of its counterparts while final cut planet deception closes proceedings with a drum focused workout with some killer yet simple snare work.

midlands (uk) based trio with roots in d&b & metal adds minimal techno to dubstep & constructed some of the more intricate steppers to be pushed out of a sub. a leans towards the ltj bukem side, b moves in slightly darker direction with old skool rhythms.
cd of this release included.

pop ambient returns. kompakts beloved series. this is our other arena of bliss, always curated and carefully compiled by label co-owner wolfgang voigt (aka gas). somber times call for more introspective sound scapes - >pop ambient 2011< continues its mission to slowly persuade its signature sound introduced over a decade ago. this year we see the series leaning towards a slightly darker complexion than its predecessors.

following up on their 2009 debut miso release, the brighter side, version returns for another round of innovative sounds on miso 013,entitled >nothing<. charles webster, martin >atjazz< iveson and vocalist, emilie chick continue on the path of pure quality with 4 tracks of adventurous, modern, deep electronics for the dancefloor. >nothing< straddles many dance genres gracefully, appealing to the deep and soulful crowd while also giving the techy, moody folks plenty of aural inspiration. with tough beats, tasteful instrumentation and another wonderful emilie chick vocal, the 2 dubs and full vocal mix are sure to please dance floors, dens and dinner halls, the world over and the wonderfully dusty sounding atjazz remix is pure enjoyment.the vinyl is a one time only limited edition high quality pressing.

the emerging talent of subb-an is ushered into the culprit fold for the labels eleventh release. an extended member of the culprit clan in spirit and through his associations with hot natured and matt tolfreys leftroom, the young lad from birmingham clearly shares, much like his uk brother-in-arms jamie jones, culprits quintessential moody funk-infused sensibility. his debut ep for culprit, >what i do< is a statement of intent for a man with a definite interest in exploring the soulful and playful edges of house and techno. >what i do< has been slaying discerning dancefloors for months, blending strong chicago house roots with the polished warmth that la-based culprit has come to embody, but never forgetting darker clubbier atmospheric

jan driver “gain reaction : you might know jan driver from his famous techno life in the 90ies or maybe for his label grandpetrol, his extraordinary skills in german folk music, high quality mixing for siriusmo, jesse rose and modeselektor or last but not least also from his wmc 2010 #1 hit “tellyfoam” which was featured on the bnr miami noize sampler. here is the first maxi of berlin multi-action-talent and friend jan driver, presenting a selection of 4 tracks including “gain reaction , a good fun heavy bass bleep champ, “cs40m , a slower powerful jam that creates an energetic build up of pink noise and 303 sounds for the very special atmosphere, >hornetbeef<, a tech-house at its best and >mecafunk<, darker techno, big sounds, the right track to close this magnificient production of these 4 tracks. what more do you need

darker and more sinister as all his releases before. beats getting tighter and rougher, theres no chance to escape. welcome to the world of delta funktionen. this 2nd part of his setup eps brings three times dark heavy soaking techno tracks, and with the otherworldy track >conflict data< closing the setup

hailing from the free swinging hills of san francisco, established dj and producer alland byallo has created his own unique sound out of a love for deep, soulful house combined with more edgy techno moments. from his own successful nightlight label he has released a quality catalogue including his debut artist album last year. of course it was only a matter of time until his talents were noticed by poker flat boss steve bug, and the results are this briliant 2 tracker, which also marks alland‘s arrival in his new home of berlin. welcome to town mr byallo! ‚discovaries‘ has a healthy amount of berlin‘s reduced techno affinity rooted within its phasing, growing p-funk waves. tense, moody and of course drenched with attention to detail, this is a grower in the true poker flat style. the sunken, murkier undertones of ‚shipwrecked‘ begin as a darker moment in techno, however gradually unfold and surface into a shining, tripped out afterhours anthem.

again a new fresh talents lands on be as one. italys sehou is indeed a well promising artist and the israeli imprint surely has a careful ear when it come to signing its artists. >to who love< is as simple as it is beautiful, a true house masterpiece with a classic touch, to stand the test of times. >dark side of the sun< turns things darker and deeper, phat bass, phat grooves, sure effect. to complete the package gel abril strikes back again on be as one after bein gmissed for long on the imprint. keeping things basic but effective, the israeli brings funk to the floor in his own unmistakable style

around the start of 2010 mutated forms caught the attention of the legendary vocalist jenna g, whose previous anthem material with un-cut and chase and status make her one of d&b most loved female artists. their debut collaboration >last time< has all the makings of a future classic. a deep atmospheric introduction, along with jennas sublime vocal roll into a warm heartfelt track with light snappy drums and plenty of bass! plays on radio 1 and 1xtras d&b shows, a spin on the pete tongs essential mix and lots of love and singing in the clubs mean you wont be hearing the last of this one for some time to come!
mutated forms get deeper and darker on the atmospheric roller >with you<. precise hypnotic percussion and huge sweeping bass hits combine to craft a track which balances dancefloor destruction with comfortable home listening, and has found massive support from bailey & crissy criss on 1xtra and fabio & grooverider amongst others.

always welcome at theory, juan rico aka reeko, delivers yet another stormer of an ep. neatly fusing his darker mantek material with more detroit-ish flavours, this 4 tracker sees reeko continue to grow as an artist whilst never losing sight of the dancefloor. enjoy!
dj support from ben sims, oscar mulero and surgeon (a1 featured on surgeons fabric mix cd)

latest release on lmd comes from a new signing, a man that needs no introduction. musical pioneer mr. thomas melchior.
the apariciones ep opens with >cinza de fenix<. a unique stripped down groove dripping with funk builds & builds, layer upon layer into a spaced out helter skelter of a ride.
>todo mundo< digs deeper into a darker more sexual world. twisted moans mixed with seductive vocals from argenis brito create an intense and surreal, sensual feel.
the apariciones ep shows melchior at his finest!
support from :ricardo villalobos, zip, raresh, matthias tanzmann, baby ford & craig richards.

a1. >everybody techno< - this is typical of gideons dance floor techno style, thick beats with a marching bass-line. from the first beat we are guided through a tough no-holds-barred trip into an unforgiving world of the darker sides of techno music. a retrospective vocal with a sinister laugh completes this evil peak-time track.
a2. >flight to right now< - this minimal track snaps along with a very basic beat and synth combo. the synth rises as the track progresses to keep dance floors moving. there is a wonderfully simple aspect to this track that gets under the skin and allows people to really connect with it.
b1. >recession tool< (vocal mix) - recession tool is a chunky tech house track with a wonderfully chewed up vocal and ever-present reverse snares. the track pumps forward until a nice rising breakdown lifts to complete with more vocals and intricate drum loops.
b2. >rico< - rico is a long progressive track with a slow builds and a warped lead line. the least aggressive track on the ep and possibly the least expressive. that said, it still ticks along seamlessly with a perfectly crafted warble and smart drums.

bangin schranz techno

bad chemistry is already on its 3rd release and none other then spktrm is on the case to break a new kind of branch to the bad chemistry sound. anomalous singularity is deep, broken and darker then the cave it was made in, rattling drumfunk esque patterns immerse out of the dark pits sucking you into brand new territories, f.w.c. is totally different, staying true to his roots spktrm goes in with guns blazing. hyped up kick & snare switches make sure this one will go down with the core posse with ease!

the mighty d knox graces sect with a second ep, >looking through your eyes<.
>at the beginning< is a journey in the way good techno tracks should be. a low-slung groove forms the foundation as strings build, creating composite chords then descending into darker territory.
>if i never knew you< continues the unique and oh-so-delicately balanced melodic sequences, while >out there< is straight up techno funk of the first order. if these guitar licks dont move ya on the dancefloor, you have problems we cant help you with.
>on my way< is a gift for the more experienced techno dj. tricky beats work to create something like a latin shuffle, rounded off by a sonic mind manifesto vocal.

first on decks.de !!! recall the daughter. survived the first, ready for next! its getting darker, sure to destroy any dancefloor. excellent, brilliant, awesome, epic ! nothing more to say ! techno for fans of berghain...

nice price deal !!! with juno records hitting its tenth release we revisit yet another classic from the archives of electronic music royalty. producer, label boss, dj & remixer extraordinaire, charles webster will need no introduction to house music lovers, and its his 1998 collaboration with renowned uk vocalist shara nelson which gets a 2010 touch up. orignally out on the seminal label pagan, >sense of danger< was a real deep house anthem back in 1998, so it was imperative to leave it in good hands for remix duties. the popular peoples front, the disco house supergroup made up of anonymous musical activists are just that. ppf breath new life into >sense of danger<, with nelsons vocal being matched by an effervescent dubby groove. an alternate dangerous dub gives the track a darker but equally melodic feel with an abrasive bassline central to the groove.

amazing darker detroit techno with dubby and minimalistic flavours !! big timeless stuff , repress 2010

jack this is a typically powerful and funky slice of peak-time techno from tom hades. the main hook comes from a big descending siren that is worked in around the groove and succession of drops and builds.
loco & jam (1605, mb elektronics) are selected for remix duties fresh from winning best new artist at the 2010 irish dance music awards. their mix takes the groove deeper but still retains the incendiary edge.
barnes bachelor rounds off the package with its linear, driving groove and gentle melodic shifts that lift up the darker, brooding undertones of the bassline. a subtle but effective track for the longer sets / early hours.
supported by: acquaviva, mauro picotto, paco osuna, eddie halliwell, cari lekebusch, yousef, joseph capriati and many more!

mowars 6th release is delivered by label boss franco cangelli, 2 solid deep techno cuts accompanied by an exquisite mlz treatment. >paper cut< is a smooth and hypnotizing dubbed out techno track for the deeper dancefloor moments. stripped down and most efficient, paper cuts intoxicating dreamy pad sucks you in from the start and gets you hooked on the dubby chords and an addictive bassline. simplicity and solid deepness!
>when they come< on the other hand is a darker affair with ominous pads and fierce kickdrums backed up by deep basses and funky schizoid sounds. dark detroitish techno for brainwashed dancefloors. mlz (half of pendle coven), turns paper cut into a darker cut. dark acidic basslines, a pinch of robert hood mixed with the deep dubby side of the original. very captivating until the very end of the track. another strong mowar cut!

more crazy stuff from the sewers of the hague. darker electro stuff. must for all bunker fans! a 2010 repress with the standard new bunker label and hand stamped on the back!

after having contributed a remix a few years ago, green are proud and excited to welcome deetron for what is his debut release with us.
whether its creating the deepest and most soulful of house, or the grandest of emotional techno. deetrons ability to craft exquisite, timeless pieces is second to none.
>deetron is not only a good friend, but also an amazing producer who keeps the detroit spirit alive in his music.< - joris voorn
on >collide< that detroit spirit is evident once more. a majestic track, thats power is held in its euphoric synth arpeggio, which builds constantly to its climax. >dark matter< on the flip is a bassheavy, almost steppin affair, with a darker atmosphere that is brightened temporarily by the lush pads in the break.